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    « Buckley, Julia: The Dark Backward | Main | Pouncey, Peter: Rules for Old Men Waiting »

    Alexander, Tasha: And Only to Deceive

      

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    William Morrow © 2005, 310 pages [amazon]
    4.5 stars

    Emily Ashton, the widow of Viscount Ashton, barely knew her husband before his death on safari, mere months after their wedding. She hadn't married Philip for love, but rather because that's what you did in late 19th-century London when a titled bachelor asked for your hand and if, like Emily, you were eager to escape a nagging, pedestrian mother. But well into her mourning period, having borne the discomfort of not being heartbroken over her husband's death, Emily begins to learn more about him--enough to become interested in classical antiquities, one of Philip's passions, and enough to find herself falling in love, belatedly, with a man who seems to have been her perfect match. But delving into Philip's past lands Emily in trouble, not merely with the clucking dowagers who deem her conduct inappropriate for a lady, but also because her investigations threaten to expose the thievery of a gang of black-market antiquities dealers.

    She hadn't married Philip for love, but rather because that's what you did in late 19th-century London when a titled bachelor asked for your hand and if, like Emily, you were eager to escape a nagging, pedestrian mother.Tasha Alexander's debut novel is not an edge-of-your-seat read--which the book's billing as, "A Novel of Suspense" might have suggested. Instead it offers a clever mystery cum romance wrapped in charming pseudo-Victorian prose. Emily and her various hangers-on discuss everything--ungentlemanly crimes, the marriage prospects of their acquaintances, the majesty of Chapman's Homer--with great delicacy, very often over port, which was apparently considered a most unladylike drink at the time. The story is recounted in the first person by Emily, with brief excerpts from her late husband's diaries following each chapter. Emily is a likeable heroine, rebelling against her suffocating mother and the confines of Victorian society while uncovering the secrets of her husband's life and death. It's a pleasure to watch her do so. The mystery of one of Emily's suitors is wrapped up a little too quickly for my taste at the end of the book, and some readers may be bored by Emily's effusive discussions of Greek art and literature. I don't think this is the sort of book that will linger long in one's memory, but And Only to Deceive is a perfectly pleasant, absorbing read while it lasts.

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