Larsen, Deborah: The Tulip and the Pope
Anyone who ever attended Catholic school will understand why Deborah Larsen was so curious in her youth about convent life. Surely we girls all wondered, at least--we shapeless lumps in knee-highs and pleated skirts--what the nuns who taught us did behind closed doors, how their communal life was organized. That same curiosity is what will draw readers to Ms. Larsen's memoir, The Tulip and the Pope, an account of the nearly five years the author spent as a nun some forty years ago among the BVMs, the Sisters of Charity of the Blessed Virgin Mary.
The convent as Larsen describes it is a stark, black-and-white place, a sensory-deprived world in which a young woman might understandably look forward, as Larsen did, to the task of cleaning out the convent's walk-in freezer: a perk of this job was that the person performing it had to wear a particular sweater, one that happened to be green rather than white or black and thus set its wearer apart from her Sisters. Almost as if she were an individual. In this world the responsibility for decision-making was taken from the individual, who lived content in the knowledge that in doing anything by order of her superiors she was doing God's will:
"...the day-to-day living of Holy Obedience was pretty simple. Simple in the extreme as a matter of fact: your Sister superior's will for you is expressive of the Will of God. If the superior has you on the duty list for scrubbing toilets, that is God's Will for you. How positively joyful that you are certain that when you are cleaning the toilets, that is God's Will."
One could see the appeal of this trouble-free existence, it being a kind of extended childhood, if the price of not having to balance a checkbook and make mortgage payments and pick out one's own clothes were not deemed exorbitant.
What is remarkable about Larsen's thoughtful book is that she does manage to convey to readers what the appeal of the convent was for her. One understands her decision to commit herself to that ascetic lifestyle at nineteen, and one understands equally well her decision some five years later to walk out the convent's front door onto the snowy streets of Dubuque, Iowa, no longer wearing her habit. But while she is implicitly critical of the religious life when explaining the intellectual process by which she came to reject the convent, Larsen is by no means disdainful of it.
Although the outcome of Larsen's memoir is foreordained--the author's bio, after all, makes it clear that she did not remain in the convent--the book offers readers a sort of suspense. We know that the heroine will emerge safe, if you will, at the book's end, but fear nonetheless in the reading that she won't make it, that she'll surrender herself to the Church and live with her eyes perpetually downcast. Fortunately Ms. Larsen did not choose that for herself forty years ago, and she has, among many other things no doubt, a highly readable memoir to show for it.
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