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Debra Hamel is the author of a number of books about ancient Greece. She writes and blogs from her subterranean lair in North Haven, CT. Read more.

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Terrell, Heather: The Map Thief

  Amazon  

3.5 stars

In The Map Thief, Heather Terrell tells three related stories. Mara Coyne, the protagonist of the book's principal story, is hired in the present by a Republican kingmaker to find a priceless 15th-century map that's been stolen from an archaeological dig in China. What her client doesn't tell her is that the map offers shocking evidence that could re-write the history of the European Age of Discovery. Terrell also tells the story of the eunuch Ma Zhi, who accompanied a Chinese naval expedition west in the 1420s and subsequently created the map Mara is searching for. Finally, there is the story of another navigator, Antonio Coehlo, who used the map while sailing with Vasco da Gama in the 1490s.

Terrell's book should be a great read. It's got a lot going for it: an inherently interesting story that spans continents and centuries, an ancient secret whose revelation could cause a storm in the modern world, a pair of protagonists who could wind up having more than a professional relationship. If you're thinking that the book sounds something like The DaVinci Code, you're right: added to the above similarities is the fact that there is a lot of attention given to iconography and imagery in The Map Thief. Unfortunately, that's where the similarities end. Because while The DaVinci Code--whatever its detractors say--is a thrilling read, The Map Thief is utterly lacking in suspense. There are two other substantial problems with the book. Most importantly, the characters are uninteresting (with the exception of Ma Zhi, who is the most compelling): Mara's fate--whether she finds the map or not, hooks up with the archaeologist she's teamed with or not, or is plugged by one of the Chinese mobsters she runs across--is of no interest at all. In addition, the book often gets bogged down in boring details, descriptions of imagery and architecture that, usually, are not relevant to the story. A disappointing book, given its initial promise.

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